specificity of the found object
relationship between the space
how do I want the space to feel
install testing
assemblage
wisely Eastman
Leslie Eastman
glassblowing place
liquid state
how does the support system become part of the artwork
suspended space
in an eye
find a way of seeing
experiencing of seeing
playing of scale
accumulation of object
support different
relationship
exchange of pocket-size things
micro macro
how you can enter in the whole space
strengthen
architect of the space becomes the part
shapes the work
invisibility
holds it shape
ice - liquifying material
glass bottle
shredded glass
aquaculture
finding from what’s already there
baptism
religious purpose
/
Interested in the way of form might allow for a state to arise in the maker and the viewer alike, which is one of harmony or proximity with the world.
a sense of stability brought on by viewing certain forms.
Interested in trying to live and make water
the work allows for a kind of conscientious way of being it reminds me of being like water
also about transformation /transsubstation, alchemy and material relation which magnify or point to a state of change and transformation
Flux as in-betweenness
Solid+liquid
Ancient+modern
Container, separator
Protector, divider
Fragile, strong
Glass
Operates at a scale that’s not always viewable
Bruce Nauman
Pierre Hughe
Richard frater
Kate Newby
Pocket artworks+installation with glass/floor works
/
It’s unattainable
Unwelcoming
Temporal